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Peter Anthony Smith - Do Androids Dream of Electric Sheep?

from Cybermemories by Cameron Lam

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about

Do Andriods Dream of Electric Sheep? (2011)

Originally written for the post-apocalyptic sci-fi circus show, Worship the Machine, this EWI quintet draws it's name from the Philip K. Dick novel which became the film Blade Runner.

==

About Peter:

Peter Smith comes from a background as a classical clarinettist, completing undergraduate (2009) and postgraduate (2012) studies at the Sydney Conservatorium of Music, where he has also been a casual lecturer in musicology for the past five years. As a freelance clarinettist, he has had numerous engagements with high profile ensembles, including the Sydney Chamber Opera, the Australian Opera and Ballet Orchestra, and Halcyon, and has performed as a soloist and chamber musician in numerous recitals at the Sydney Conservatorium of Music. Peter also currently teaches clarinet performance at the Australian Institute of Music.

In recent years, Peter has increasingly devoted himself to the EWI (Electric Wind Instrument). In addition to using it as a concert instrument (his recital as part of the Australasian Clarinet and Saxophone Conference in 2013 is almost certainly Australia's first solo classical EWI recital), Peter has built up a loyal online following producing multi-tracked covers of music from video games. He has released 4 albums of his own covers, and appeared on numerous cover album releases by Gamelark, The Materia Collective, Pixel Mixers, and Multiplayer. He was also a guest musician on 'Determination: Purple Side' by RichaadEB and Ace Waters, an album of covers from 'Undertale' which reached No. 1 in the Bandcamp charts in 2016.

His video game music covers can be found on his YouTube channel: www.youtube.com/user/Soundole

credits

from Cybermemories, released November 25, 2016

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Cameron Lam Melbourne, Australia

Composer, gamer, watercolourist, and Artistic Director of Kammerklang.

My music blurs classical and videogame music, bringing in cross-artform collaborations, spectralism, minimalism, and performer agency.

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